Papyr
Mystery

The Phantom of the Opera

par Leroux, Gaston

Beneath the Paris Opera House, a disfigured genius haunts the shadows, obsessed with the beautiful soprano Christine Daaé. Gaston Leroux's Gothic tale of beauty, terror, and unrequited love reveals the monster behind the mask—and the tragedy beneath the horror.

327

Pages

5h

Temps de lecture

Publie

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81,879

mots

327

Pages

8h 48m

Audio

27

Chapitres

Table des matieres

1Chapter I Is it the Ghost?
2Chapter II The New Margarita
3Chapter III The Mysterious Reason
4Chapter IV Box Five
5Chapter V The Enchanted Violin
6Chapter VI A Visit to Box Five
7Chapter VII Faust and What Followed
8Chapter VIII The Mysterious Brougham
9Chapter IX At the Masked Ball
10Chapter X Forget the Name of the Man's Voice
11Chapter XI Above the Trap-Doors
12Chapter XII Apollo's Lyre
13Chapter XIII A Master-Stroke of the Trap-Door Lover
14Chapter XIV The Singular Attitude of a Safety-Pin
15Chapter XV Christine! Christine!
16Chapter XVI Mme. Giry's Astounding Revelations as to Her Personal Relations with the Opera Ghost
17Chapter XVII The Safety-Pin Again
18Chapter XVIII The Commissary, The Viscount and the Persian
19Chapter XIX The Viscount and the Persian
20Chapter XX In the Cellars of the Opera
21Chapter XXI Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera
22Chapter XXII In the Torture Chamber
23Chapter XXIII The Tortures Begin
24Chapter XXIV "Barrels! ... Barrels! ... Any Barrels to Sell?"
25Chapter XXV The Scorpion or the Grasshopper: Which?
26Chapter XXVI The End of the Ghost's Love Story
27Epilogue.

Apercu du texte

Gratuit

Chapter I Is it the Ghost? It was the evening on which MM. Debienne and Poligny, the managers of the Opera, were giving a last gala performance to mark their retirement. Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after "dancing" Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to "run through" the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes--the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders--who gave the explanation in a trembling voice: "It's the ghost!" And she locked the door. Sorelli's dressing-room was fitted up with official, commonplace elegance. A pier-glass, a sofa, a dressing-table and a cupboard or two provided the necessary furniture. On the walls hung a few engravings, relics of the mother, who had known the glories of the old Opera in the Rue le Peletier; portraits of Vestris, Gardel, Dupont, Bigottini. But the room seemed a palace to the brats of the corps de ballet, who were lodged in common dressing-rooms where they spent their time singing, quarreling, smacking the dressers and hair-dressers and buying one another glasses of cassis, beer, or even rhum, until the call-bo...

Sujets et tags

Composers -- FictionFrench fiction -- Translations into EnglishHorror talesMusical fictionOpera -- FictionParis (France) -- FictionPhantom of the Opera (Fictitious character) -- Fictionmysterygothicromancehorroroperaclassic

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