The Phantom of the Opera
par Leroux, Gaston
Beneath the Paris Opera House, a disfigured genius haunts the shadows, obsessed with the beautiful soprano Christine Daaé. Gaston Leroux's Gothic tale of beauty, terror, and unrequited love reveals the monster behind the mask—and the tragedy beneath the horror.
327
Pages
5h
Temps de lecture
—
Publie
81,879
mots
327
Pages
8h 48m
Audio
27
Chapitres
Table des matieres
Apercu du texte
GratuitChapter I Is it the Ghost? It was the evening on which MM. Debienne and Poligny, the managers of the Opera, were giving a last gala performance to mark their retirement. Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after "dancing" Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to "run through" the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes--the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders--who gave the explanation in a trembling voice: "It's the ghost!" And she locked the door. Sorelli's dressing-room was fitted up with official, commonplace elegance. A pier-glass, a sofa, a dressing-table and a cupboard or two provided the necessary furniture. On the walls hung a few engravings, relics of the mother, who had known the glories of the old Opera in the Rue le Peletier; portraits of Vestris, Gardel, Dupont, Bigottini. But the room seemed a palace to the brats of the corps de ballet, who were lodged in common dressing-rooms where they spent their time singing, quarreling, smacking the dressers and hair-dressers and buying one another glasses of cassis, beer, or even rhum, until the call-bo...